Compensation Filter for Live Venues
Working prototypeCan a compensation filter make one venue sound like another?
Built a six-channel correction system. At one position, mean spectral error fell from 2.69 to 2.24 dB.
My questions began with live performance and have grown to include musicians’ expression and participation in music.
How can sound reshape space?
Can a compensation filter make one venue sound like another?
Built a six-channel correction system. At one position, mean spectral error fell from 2.69 to 2.24 dB.

What changes at the speakers when we move a sound?
Investigated the operating principles of Sound xR Image and L-ISA Studio through measurement and analysis, then applied the findings to develop TUTTI, an immersive audio program.
How can music reflect individuality?

Can electronic drums adapt to each player’s touch?
Built a Max/MSP drum module with manually adjusted velocity ranges for one player.

Can AI ease live preparation while preserving the artist’s musical expression?
ADTOF fine-tuning improved rendered validation F1 (0.695 → 0.786) but reduced real-recording F1 (0.859 → 0.816). The pretrained model was retained.
How can we be different, yet together?