
Corrective IR Spatial Reconstruction
How closely can electroacoustic correction bring a live venue toward another hall’s early response and reverberant character?
I build systems that adapt to people—not the other way around.My work explores how technology can respond to space, individual expression, and different ways of experiencing and participating in music.
How can sound adapt to the space in which it is experienced?

How closely can electroacoustic correction bring a live venue toward another hall’s early response and reverberant character?

How does Yamaha Sound xR Image translate spatial coordinates and rendering parameters into loudspeaker gains?

How can spatial audio connect what audiences see with what they hear in a performance space?

How can musical collaboration continue when physical distance becomes a limitation?
How can musical systems follow the performer, rather than requiring the performer to follow the system?
How can people participate in music in their own ways without being forced into a single way of hearing, moving, or expressing?